Hints: Best Photo Tips Ever!

Hints: Best Ever

If you’ve my blog posts regarding photography, you’ve heard me almost if not full on RANT about the flood of marketing hype on technology vs art. I’m a firm believer that buying a new set of paints, brushes, canvas and an easel does not make one an artist. The same holds true for photography. You can purchased the biggest, best, camera; the latest apps, the latest software and it won’t make you a photographer. It’ll just make a big dent in your bank account.

You’ve heard me go on and on about exposure, composition, lighting and knowing camera limitations. I like other photographers would be more than willing to answer questions, offer how-to’s and hints, coach those interested in the medium as an art form.

It makes me think about time I was at an event talking with another photographer, when an acquaintance came up to me. The person was there to photograph the event. Their images we way over exposed. The photographer (well actually, picture taker) asked for my help to figure out the problem. My problem was I was handed a Nikon camera when I shoot Canon. I had to figure out the menu navigation in order to help solve the problem. The photographer (picture taker) couldn’t even navigate the menu.

After getting the “picture taker” situated, it dawned on me; This person is the Official Event Photographer? Are you kidding me? Hey why not, the person has a “big camera”, they must know what they’re doing.

Anyway back to the original idea behind this post. I have a “Google Alert” set for portrait + photography, so interesting articles come in to my inbox. The other day, there it was. The article that summarized every really cool photography hint to the non-photographer. Guess what, no special camera/phone, no wiz-bang app, no marketing hype, just good-ole photography basics. The best advice anyone could give a wanna-be and good reminders for the seasoned photographer – like me! So I decided to include the article for  your benefit.

http://www.telegram.com/entertainmentlife/20170102/avoid-dull-snapshots-tips-for-taking-stunning-pictures

Please look it over. In fact, book mark it as you may want to go back to it again. I have to hurry up and finish my post so I can go back and read it again. Afterwards, take a moment to give me your thoughts on the hints. Remember the goal is not to make you a National Geographic staff photographer, but to help you improve your photos on Facebook. Let me know what you think. You can even post your questions for more discussion. Happy shooting!

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tom-szabo.com; jewelry, photography & scuba instruction.

Light, It’s All About The Light!

Light, It’s all about the light.

Light! My wife Diane and I like to vacation at Siesta Key Florida. The beach has the softest and whitest sand you’ll see anywhere. During our walks on the soft powder white sand, Diane gets tired of my commentary on the people taking photos with their cell phone cameras. It generally goes something like this “there’s another photo that won’t turn out very well!”

Even though she gets tired of listening to me, I’m right. Two major problems I see: Stop putting the sun at your subjects back! Number two, move in closer. So let me spend some time again talking about lighting. Why my comment about sun placement? Camera sensors don’t have the capability that our brain does. Sensors can’t adjust the image we see through our eye and correct the exposure. Don’t believe me? Take the scenario I just described and experiment. Put the sun behind your subjects back. Look at their face. I’m sure you’ll see the detail in the face. That’s because our brain and eyes work together to adjust the lighting and see the detail. Now take the picture. How much detail do you see in the near black orb called the face. Almost none.

So how do you fix this problem. You have to train your eye to evaluate scenes for lighting. Look for the highlights and the shadows. Make slight adjustments in subject positioning to reduce the amount of shadow in the subject. Take a picture after your adjustment to see the results and continue to adjust your subject. Eventually you’ll begin to learn what works.

Another way to learn is to observe what other photographers do. I’m not saying to copy their technique as much as observe and adjust. Evaluate the lighting of the scene and subject to see how they work with light. Look at what award winning photographer Irene Chen has accomplished in her photography. Although she uses studio lighting for the award winning images, see how she uses control over lighting to work her magic. Read more about her work.

You’re welcomed to ask me questions. Or just give me your comments.

Film used in family portrait photography. Light.

Portrait photographers strive for detail in their final prints.

Film Photography – Dead?

Film Photography – Really?

Film, remember that stuff? With the explosion of digital cameras today, most of you would likely wonder why shoot on film? Let me back you up a bit. Before digital, you had to put more thought into your photography based on the type of shooting and light conditions. You selected film to support your planned shooting.

Cameras were available in varying sizes. The size concept was based on the physical size of the negative you were shooting. Real photographers would argue the benefits of shooting 35mm, 2-1/4, 4X5 and 8X10. Who cares, you say. Well it all boiled down to the larger the size of the negative, the sharper and more detailed the print. Speed was also an indication of the density of the film. The better the density of the negative, the better the image quality. So if you could record an image on a larger negative size, then you could get incredible detail in your print. That is what photographers would strive for.

So here comes this photographer, Pali Kalsi. He started photographing on the larger formats and got intrigued by the results. To the point where he decided to build an 11X14 camera. Those of you who still remember film cameras and negatives, think back to the negative size for a 35 mm camera. Now imagine a negative 11 inches by 14 inches. The detail in an 11X14 print would be simply amazing.

For more details and to see some of Pali Kalsi’s work, check out this article. As always, let me know your thoughts!

Film used in family portrait photography.

Portrait photographers strive for detail in their final prints.

Light Planning

Light Equals Photography

Light plays a powerful role in photography. In addition, it is relative. A scene/subject will often have varying degrees of illumination. These are commonly know as highlights and shadows. Both highlights and shadows can be a creative tool.

Your job as a photographer is to understand the it, evaluate it creatively and control how the camera captures it. Wildlife photographer Taylor Glenn does a great job of controlling how his wildlife portraits are lit. He often photographs captive animals in studio where he can plan and control the scene. To learn more.

Photography, Portrait, Pet, Cleveland, Northeast Ohio

Not all wildlife need be wild!

Light – Composition For Photography

Use Light and Composition

If you’ve been following me for a little while, you’ve heard me comment about understanding light in order to improve your photography. In the article attached to my post, I’d like you to examine the photographs of the artist – Vivienne Gucwa. First, notice how her images evoke a mood. Whether it’s the night scene or a snow storm. It sets the mood for the subject.

Secondly, when you look at her images do you notice your eye moving through the image. That’s her use of light combined with composition to accomplish that. Next time you pick up your camera think back to Vivienne’s images for inspiration. What are your thoughts?

Mount Rushmore Light Show

Electric lighting on Mount Rushmore at night.

Golden Hour Photography?

Golden Hour vs. Mid Day

The Golden Hour as referred to by photographers as the hour around sun up or sundown. The sun and atmosphere combine to give the photographer unique and colorful lighting. Photographers often avoid shooting mid day. Why? The more direct and overhead sun causes a lot of shadows, a lot of contrast and deep dark shadows.

So do you put the camera away during mod day? Absolutely not. This is where you have to be a photographer not a “snap-shot-er”. Huh? Yes, spend the time looking at the scene obviously for composition but also for lighting. Can you position your subject in a location where the lighting is softer and away from dark shadows? Can you shoot in an area that is in shade? Of course you can. You may have to think a little bit and take the time to find a location that gives the light you want.

Take a look at what Chris Gampat has to say on this topic. At the same time look how He controlled the light in his images.

Golden Hour vs. mid day photography

Choose an environment that offers soft light. If needed, add fill flash.

Make Shutter Speed A Photography Tool

If you have read some of my posts, you may have read this before: “You’ve got to be smarter than the camera!” That means understanding how the camera works and camera limitations. Cell phone manufacturers want you to believe that you can take professional photos with their product. Well, even a blind squirrel finds a nut! Good images are made not taken. So that means what I said earlier – “You’ve got to be smarter than the camera!”

Lets start with one of the tools used to create good images – Shutter Speed. Simply the time the sensor is exposed to light from a scene or subject. That time be be a fraction of a second to minutes. Shutter speed can be a very creative tool. Read on to learn more and see some wonderful examples.

Photographers – We All Were Beginners!

As a photographer and a Scuba Instructor, I often tell beginners: “We all started as beginners”. It’s a thought we should all remember. We need to be reminded that we had to work to get where we are today. Here’s an interesting blog post that talks about the road we travel to improve as photographers:

A Declaration Of Love To All Our Crappy Shots

Enjoy!