Pieces, NEW For Ocean Sands!

Pieces, NEW For Ocean Sands!

Tom’s fingers have been poking away at the keyboard here at tom-szabo.com. At this point, the on-line store for Ocean Sands jewelry has the following categories:

  • Bracelets
  • Earrings
  • Manatee Bone Necklaces
  • Shark Tooth Necklaces
  • Whale Bone Necklaces

There is inventory ready for sale in each category, that’s good for you. A great selection to choose from. Remember, these featured fossil materials date back to the Miocene and Pliocene era, about 2.5 million to 26 million years ago!

In preparing the store, some new concepts have been introduced. There are two necklaces with a sea shell ground to form a ring around a prehistoric shark tooth, suspended from pearls or a quartz crystal. If these may not be exactly what intrigues you, there are more shells in inventory. That means more variations will be on the way.

Featured in the Earrings section is the NEW tear-drop shaped Marquis wire. These new wires are 2 inches long. They provide a real long elegant look. Plans call for a 1 inch long Marquis Wire. That will allow for more and longer embellishment to the shark teeth used.

Of course these new and exciting pieces are for the near future. But don’t sit back and wait. Check out the current inventory so you don’t miss anything. I need to get back to the store. I’m looking at some nice sized Megalodon Teeth hanging from a rugged chain, They need to get put into the  store. You shouldn’t have to miss anything!

Ocean Sands Jewelry by Tom Szabo.

Ocean Sands Jewelry by Tom Szabo.

Earrings

Earrings

Infant First Portrait Session

Infant Portrait Session.

So there’s this girl, NO, NO, NO, not like that! Shannon belongs to the same networking group as I. Gosh we’ve known each other for years and years. I feel like her brother. I can’t say Father since I know him also and he’s a pretty cool guy.

Well Shannon and her husband Travis recently had their first child. Let’s call him say, Mike. I’ll use my brother’s name. Mike is now almost four weeks old. So Mom and Dad brought him into the studio for his first sitting. You’ve heard the description of newborns; eat, poop and sleep. That’s what makes them so cool to photograph. You can put them in almost any healthy non harming position, photograph them and they sleep through the entire session.

Well, not little Mikey! Midway through his session, he woke up. I think he just didn’t want to miss anything! In any event, Mikey was a trooper. We put him in all of his poses and he just stayed their for the most part.

Typically, in these sessions, infants are often photographed in the suit they were born in. Of course it was then that Mikey decided to leave his mark on the fleece posing cloth.  Good job, Mikey. But no problem that’s what washing machines and bleach are for!!

So here’s a few images of Mikey for you to enjoy. Oh by the way, can you tell Mikey’s dad is a deer hinter?? Mike was a pleasure to have in the studio. Love you Mom, Dad and Mikey!

Infant in camo.

Get ready all, I’m waking up!

Sleeping infant

Aren’t I just so cute while I’m sleeping?

Infant boy in black and white.

Our little guy in black and white.

 Mom and Dad with infant son.

Don’t Mom and Dad look so happy?

If you’d like more information about infant photography or any other services offered by tom-szabo.com, check the studio website for contact information.

Commitment to Craft

Commitment To Craft

Those of you who know me are probably aware of my commitment to my craft – Photography. I’m willing to help people solve a problem. I use this medium to share tips and techniques. Yes, I’ll give you suggestions/critique on your work. It doesn’t matter to me if you use a DSLR or a cell phone camera. Although I have my opinion about cell phone shooters – chuckle!

It’s been my expressed opinion that people often fall into the trap of believing high-dollar corporate marketing about their technology vs individual skill. Meaning buy our product and you can create like the pros. If that were the case, our entire golfing population would be on the pro tour because they bought expensive golf clubs. Now we all know the truth behind that one.

To be a good – not necessarily award winning photographer, takes time, effort and knowledge. Time spent experimenting with your tools. Effort to work at your craft. Learning about your camera, exposure, composition and lighting. Don’t get me wrong, I don’t expect you to get a degree in photography. However you need to learn enough to achieve the results you desire. Buying the latest and greatest technology doesn’t do that.

You may have heard my comment: A poor image with an Instagram filter is still a poor image. Can filters and special effects enhance your results? Bet your media card it will. It all starts with a well done image and that happens using the skills I mentioned above.

A great way to begin understanding what makes good photography is to study those recognized for being a master of their craft. Why do art students spend so much time in class and places like art museums? They’re studying the masters. It doesn’t mean you copy them, but you need to recognize what makes them a master and try the studied technique.

On occasion I’ve offered a link to a photographer I feel has a “Good Eye”. This link just came across my inbox: https://www.theguardian.com/music/gallery/2016/nov/16/patrick-harbron-intimate-rock-photography

Take a look at Patrick Harbron’s work. Most of it seems was created during the age of film photography. You’ll see how He uses composition, lighting and equipment to get his results. If you’d like a discussion about what film teaches us, that’s another topic. Does Mr. Harbron get special access at events? Probably. But might you’ll be able to get special access at your child’s next performance or sports outing? Maybe – give it a try and let me know about your results. Oh yeah, be sure to check out Mr. Harbron’s work.

tom-szabo.com logo, commitment, craft

tom-szabo.com; jewelry, photography & scuba instruction.

Black Friday – 2016

Black Friday 2016

Holy Cow, Are you kidding me? Black Friday is almost here. Where did summer go? I know it’s the middle of November, but I’m still hanging on to summer by wearing sandals. I know at some time I’ll have to convert to socks and shoes.

So do you have a plan to take advantage of the specials for Black Friday? You could try waking up real early to get to the big-box store right at opening. Maybe you could leave at 12:01 a.m. after Thanksgiving Dinner to get a jump on things.

Once you fight your way through the front door, then what? Maybe you have a specific gift in mind for that special person or family member or maybe not. My luck would be I have a great idea only to find the store has just sold out – urrgh! You may be stuck wandering the isles aimlessly looking for a hint. I’ve done that. Ask my wife and she’ll tell you She knows she’s difficult for whom to buy.

Here’s a good one for the guys. You find just the perfect outfit for your girlfriend or wife. Get just the right gift wrapping paper. Only to find out – that great outfit doesn’t fit!

So here’s a suggestion. Buy some fun and an heirloom. I’ve got the solution. On Black Friday you can call me while enjoying your morning coffee (Let’s say after 10:00 A.M.) and purchase a certificate good for a 1-1/2 hour studio sitting, an 8X10 color print  and save big money. Normally an $85.00 purchase. But for Black Friday you can get the package for 50% OFF. Hey for that price you can purchase a second to give to another friend or family member for the price of one gift. You’ll look like a hero!

This offer is good only for Black Friday, so don’t hesitate! A sample of the certificate is shown below.

Black Friday - 50% OFF Portrait Package

Relax, have your coffee and get your shopping done! One-size-fits-all.

Sun – For One Light Portraits

Sun: A very interesting portrait video came across my feed today. I wanted to share it with you.

First of all most Facebook photography I see has one thing in common – Bad Lighting! Please stop and think for a minute; where does your outdoor light come from? Of course the sun. So that means you have a single source for your photos. In this video photographer Aaron Anderson talks about shooting portraits using – guess what: 1 light. Think of his one light as the sun. I know, what a concept – LOL.

In the video you’re going to see a lot of studio equipment. Yes, but pay attention to the main tools he uses, a strobe, a camera and a reflector. That’s it. What Aaron does do however is CONTROL the illumination. Don’t have a big DSLR? no problem use your cell phone camera. Remember his main light placement and position your subject using the sun in the same relative position. Oh you don’t have a white reflector card? How about the side of a building, a newspaper, a blanket. Look at what’s at hand that you can use.

You may not have Photoshop to make the post process editing. Don’t worry, you’re not a pro trying to sell your work. Paying attention to your subject position will get you better results than what you have been doing.

Watch the video and pay attention to what Aaron is doing with his 1 light (like the sun). Enjoy and feel free to post your thoughts and/or results. I’d like to see your results.

 

Portrait photography tom-szabo.com

Relaxed portrait pose for a high school senior.

Light, It’s All About The Light!

Light, It’s all about the light.

Light! My wife Diane and I like to vacation at Siesta Key Florida. The beach has the softest and whitest sand you’ll see anywhere. During our walks on the soft powder white sand, Diane gets tired of my commentary on the people taking photos with their cell phone cameras. It generally goes something like this “there’s another photo that won’t turn out very well!”

Even though she gets tired of listening to me, I’m right. Two major problems I see: Stop putting the sun at your subjects back! Number two, move in closer. So let me spend some time again talking about lighting. Why my comment about sun placement? Camera sensors don’t have the capability that our brain does. Sensors can’t adjust the image we see through our eye and correct the exposure. Don’t believe me? Take the scenario I just described and experiment. Put the sun behind your subjects back. Look at their face. I’m sure you’ll see the detail in the face. That’s because our brain and eyes work together to adjust the lighting and see the detail. Now take the picture. How much detail do you see in the near black orb called the face. Almost none.

So how do you fix this problem. You have to train your eye to evaluate scenes for lighting. Look for the highlights and the shadows. Make slight adjustments in subject positioning to reduce the amount of shadow in the subject. Take a picture after your adjustment to see the results and continue to adjust your subject. Eventually you’ll begin to learn what works.

Another way to learn is to observe what other photographers do. I’m not saying to copy their technique as much as observe and adjust. Evaluate the lighting of the scene and subject to see how they work with light. Look at what award winning photographer Irene Chen has accomplished in her photography. Although she uses studio lighting for the award winning images, see how she uses control over lighting to work her magic. Read more about her work.

You’re welcomed to ask me questions. Or just give me your comments.

Film used in family portrait photography. Light.

Portrait photographers strive for detail in their final prints.

Film Photography – Dead?

Film Photography – Really?

Film, remember that stuff? With the explosion of digital cameras today, most of you would likely wonder why shoot on film? Let me back you up a bit. Before digital, you had to put more thought into your photography based on the type of shooting and light conditions. You selected film to support your planned shooting.

Cameras were available in varying sizes. The size concept was based on the physical size of the negative you were shooting. Real photographers would argue the benefits of shooting 35mm, 2-1/4, 4X5 and 8X10. Who cares, you say. Well it all boiled down to the larger the size of the negative, the sharper and more detailed the print. Speed was also an indication of the density of the film. The better the density of the negative, the better the image quality. So if you could record an image on a larger negative size, then you could get incredible detail in your print. That is what photographers would strive for.

So here comes this photographer, Pali Kalsi. He started photographing on the larger formats and got intrigued by the results. To the point where he decided to build an 11X14 camera. Those of you who still remember film cameras and negatives, think back to the negative size for a 35 mm camera. Now imagine a negative 11 inches by 14 inches. The detail in an 11X14 print would be simply amazing.

For more details and to see some of Pali Kalsi’s work, check out this article. As always, let me know your thoughts!

Film used in family portrait photography.

Portrait photographers strive for detail in their final prints.

Fashion Mags – Photo Lighting Tips

Fashion Magazines – Photography Tips

Fashion magazines – OK, I admit to looking at them. No, No, really, I’m not that way. The fashion industry spends A LOT of money on photographers to advertise their products. So it stands to reason that they would be hiring the best fashion photographers, they can get. So why not look at their work for hints, tips and how to’s?

Next your going to ask me what should you look for. I’ll offer two things to look at: Poses and Lighting. Poses should be pretty straight forward. No you don’t have to expect your subjects to be professional models. But when you tell your child to hold for a picture, suggest body positioning or hand placement that you’ve observed in a magazine.

As far as lighting goes, start with reading catch lights. These are the white dots that appear in the subject’s eyes. If you look close enough you may be able to count the number of dots in a single eye. This will tell you how many light sources the photographer used. Upon further review you might be able to tell if they are round or square, further suggesting square reflectors, rectangular or square soft boxes or round for umbrellas.

In addition to the catch lights, look for highlights positioned against shadows. This will help you identify the main light position relative to the subject.

To help you get started, look at the images used in the article at this link. Tell me what you think or feel free to ask me your questions.

Girl poses in doorway.

Can you determine the light source and direction for this portrait?

Golden Hour Photography?

Golden Hour vs. Mid Day

The Golden Hour as referred to by photographers as the hour around sun up or sundown. The sun and atmosphere combine to give the photographer unique and colorful lighting. Photographers often avoid shooting mid day. Why? The more direct and overhead sun causes a lot of shadows, a lot of contrast and deep dark shadows.

So do you put the camera away during mod day? Absolutely not. This is where you have to be a photographer not a “snap-shot-er”. Huh? Yes, spend the time looking at the scene obviously for composition but also for lighting. Can you position your subject in a location where the lighting is softer and away from dark shadows? Can you shoot in an area that is in shade? Of course you can. You may have to think a little bit and take the time to find a location that gives the light you want.

Take a look at what Chris Gampat has to say on this topic. At the same time look how He controlled the light in his images.

Golden Hour vs. mid day photography

Choose an environment that offers soft light. If needed, add fill flash.

This Portrait Video Will Make You Think About Lighting

Portrait Photography And Lighting.

Portrait photography requires that you always think about lighting. It doesn’t matter if you’re using a boat-load of studio equipment or a cell phone. I found this short video demonstrating 3 different set ups. These set ups will demonstrate how you can change the result using some minor tweaks of lighting.

Obviously you’ll notice how much equipment a professional photographer uses. That’s not the point. The point here is when taking a picture of another person or persons, you have to open your eyes and plan your shot accordingly. I hope you find the video helpful! Feel free to post your questions, comments or thoughts.

tom szabo, tom-szabo.com, portrait photographer for families, high school students and executives

Notice how your eye is drawn to the subject in this image?